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Celestine Tate Harrington: Building a Legacy

Premiere: 10/15/2024 | 00:13:03 |

The story of a street musician, born with a condition that left her limbs unusable. In 1975, Tate Harrington won a custody battle against the Philadelphia Department of Child Welfare, which sought to take away her infant daughter, claiming that she could not provide adequate care. See how Tate Harrington’s fight to be a mother and earn an independent living was a revolutionary act.

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About the Episode

Celestine Tate Harrington (1955-1998), born with a condition that left her limbs unusable, was a street performer in downtown Philadelphia and on the Atlantic City boardwalk in the 1980s and 1990s, who impressed audiences with her skill at playing the electric keyboard with her tongue.

An African American woman with short black hair and one arm, leaning foward while strapped upright into a medical chair.

Celestine Tate Harrington at the Moss Rehabilitation Center.

In 1975, Tate Harrington had her first daughter, Nia. When the Philadelphia Department of Public Welfare attempted to take away her infant daughter, claiming that Harrington was physically incapable of caring for a child, she successfully defended her right to parent. In the courtroom, Tate Harrington demonstrated her skills – dressing and undressing her daughter, and changing her diaper, using only her lips, teeth, and tongue – and retained custody. She went on to share her story on radio and television shows like Howard Stern, Sally Jesse Raphael, and Donahue. Tate Harrington even self-published a book which she wrote with her tongue on a typewriter titled Some Crawl and Never Walk (1995). Renegades: Celestine Tate Harrington demonstrates how Tate Harrington created a legacy by working every angle given to her and using the limited preconceived notions of others to change the narrative of who she was, and prove that she was capable of raising and providing for a family and breaking the cycle of poverty for generations to come.

The fundamental right to parent without interference has been argued in courts and is protected by the U.S. Constitution. But a recent study found that nearly 20% of children in the U.S. foster care system have a parent with a disability. Almost fifty years since Tate Harrington’s custody battle, 42 States and the District of Columbia have laws in place that cite parental disability as grounds for termination of parental rights. For Tate Harrington, fighting to be a mother and earn an independent living was a revolutionary act, and her struggles mirror those of the broader disability community today.

The episode features interviews with: Nia Tate-Ball and Coronda Tate, Celestine Tate Harrington’s daughters; Jannie Watson, Nia Tate-Balls’s godmother; Tamogene Tate-Ebataleye, Harrington’s sister; Alberto Esquenaz, M.D., Chief Medical Officer, and Nathaniel Mayer, M.D., Physical Medicine and Rehab Specialist at Jefferson Moss Magee Rehab; and Robyn M. Powell, Ph.D., J.D., Family Law & Disability Rights Attorney.

About Renegades

Renegades is a series of five 12-minute short films showcasing the lives of diverse, lesser-known historical figures with disabilities, exploring not only their impact on and contributions to U.S. society, but also the concept of disability culture, which honors the uniqueness of disability. Hosted and narrated by the musician and disability rights advocate Lachi, who is blind, and created and produced by a team of D/deaf and disabled filmmakers, the series is designed to increase public knowledge of disability history, and encourage cross-cultural understanding between non-disabled people and those with disabilities – who make up 1 in 4 adults in America today.

Infused with the spirit of the disability movement’s mantra, “Nothing About Us Without Us,” Renegades places a focus on authentic storytelling, with a cast and crew composed almost entirely of disabled people, and a talent incubator model of filmmaking to mentor emerging directors, producers, writers, cinematographers, and editors with disabilities.

About the filmmakers

Cashmere Jasmine is the director and producer of Renegades: Celestine Tate Harrington. She is a Director of Afro-Caribbean descent who has worked across mediums including music video, independent film, and short-form digital media. After being diagnosed with End Stage Kidney Renal disease, she started her own media production company and produced several short films that went to dozens of festivals and garnered over 1.5 million views. As a Writer and Director she crafts genre-bending media that revolve around taboos and the complexities of identity seen through the lenses of class, race, disability, and even criminality; deconstructing perceptions with her real-life experiences with dark humor. In 2021, Cashmere was in the inaugural class of Amy Aniobi’s TRIBE, a mentorship program for TV writers, the Black Magic Collective’s All Access Fellowship, and RespectAbility’s Summer Entertainment Lab. She also received the Sundance Uprise grant for her short film, Oreo, which became a 2022 Slamdance Unstoppable Festival selection. Her feature Down the Rabbit Hole, about an irresponsible dialysis patient, earned her a spot in the Sundance Accessible Futures Intensive workshop. Her film for Disney’s Launchpad program has two NAACP award nominations and is now streaming on Disney+.

Marsha Hallager is the producer and writer of Renegades: Celestine Tate Harrington. She is a multifaceted writer, producer and director who creates groundbreaking and critical content. Hallager started her career in radio, in Philadelphia, PA. She credits radio as her entrée into the world of television and film production. She is an accomplished independent documentary filmmaker, writer, producer and rising director with a keen sense of storytelling. Hallager’s achievements are multi-disciplined – she has worked across various genres, including unscripted to scripted television to horror films and feature documentaries. Hallager served as one of the executive producers and producers on the award-winning documentary, One Child Left Behind: The Untold Atlanta Cheating Scandal, and recently produced a music documentary featuring a GRAMMY award-winning artist. Her disability has taught her the value of resilience and perseverance, and she aims to create films that not only entertain and inform, but also inspire and empower audiences to overcome their own challenges. Through her work, Hallager aspires to highlight the emotional, physical, and societal barriers that individuals with invisible disabilities face on a daily basis.

Original artwork for Renegades by Adriano Araújo dos Reis Botega.

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PRODUCTION CREDITS

Renegades is a production of Inspiration Films, LLC and ITVS in association with American Masters Pictures. For Inspiration Films Charlotte Mangin is executive producer, Day Al-Mohamed is senior producer, and Amanda Upson is series producer. For ITVS Carrie Lozano is executive producer and Susan Cohen is supervising producer. For American Masters Michael Kantor is executive producer.

About American Masters
Now in its 38th season on PBS, American Masters illuminates the lives and creative journeys of those who have left an indelible impression on our cultural landscape—through compelling, unvarnished stories. Setting the standard for documentary film profiles, the series has earned widespread critical acclaim: 28 Emmy Awards—including 10 for Outstanding Non-Fiction Series and five for Outstanding Non-Fiction Special—two News & Documentary Emmys, 14 Peabodys, three Grammys, two Producers Guild Awards, an Oscar, and many other honors. To further explore the lives and works of more than 250 masters past and present, the American Masters website offers full episodes, film outtakes, filmmaker interviews, the podcast American Masters: Creative Spark, educational resources, digital original series and more. The series is a production of The WNET Group.

American Masters is available for streaming concurrent with broadcast on all station-branded PBS platforms, including PBS.org and the PBS App, available on iOS, Android, Roku streaming devices, Apple TV, Android TV, Amazon Fire TV, Samsung Smart TV, Chromecast and VIZIO. PBS station members can view many series, documentaries and specials via PBS Passport. For more information about PBS Passport, visit the PBS Passport FAQ website.

About The WNET Group
The WNET Group creates inspiring media content and meaningful experiences for diverse audiences nationwide. It is the community-supported home of New York’s THIRTEEN – America’s flagship PBS station – WLIW21, THIRTEEN PBSKids, WLIW World and Create; NJ PBS, New Jersey’s statewide public television network; Long Island’s only NPR station WLIW-FM; ALL ARTS, the arts and culture media provider; newsroom NJ Spotlight News; and FAST channel PBS Nature. Through these channels and streaming platforms, The WNET Group brings arts, culture, education, news, documentary, entertainment and DIY programming to more than five million viewers each month. The WNET Group’s award-winning productions include signature PBS series Nature, Great Performances, American Masters and Amanpour and Company and trusted local news programs MetroFocus and NJ Spotlight News with Briana Vannozzi. Inspiring curiosity and nurturing dreams, The WNET Group’s award-winning Kids’ Media and Education team produces the PBS KIDS series Cyberchase, interactive Mission US history games, and resources for families, teachers and caregivers. A leading nonprofit public media producer for more than 60 years, The WNET Group presents and distributes content that fosters lifelong learning, including multiplatform initiatives addressing poverty, jobs, economic opportunity, social justice, understanding and the environment. Through Passport, station members can stream new and archival programming anytime, anywhere. The WNET Group represents the best in public media. Join us.

UNDERWRITING

Major funding for Renegades is provided by The Corporation for Public Broadcasting, with additional support from the Rosalind P. Walter Foundation, Anderson Family Charitable Fund, Philip & Janice Levin Foundation, Ambrose Monell Foundation, Kate W. Cassidy Foundation, The Charina Endowment Fund, Marc Haas Foundation, and Sue and Edgar Wachenheim III.

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TRANSCRIPT

- God has given me a rare gift that I am here to share with you.

[Organ melody] - She was so bold and she never thought that there was anything unattainable.

- I don't need your input, thank you.

[Laughter] - With her mouth she's signing.

- Wow.

- Beautiful handwriting.

[National Anthem melody] - The direction that she took, it could have been art, but she wasn't that kind of person.

She was a music person.

- Alright!

[Tender piano] - One in four American adults have a disability and I'm one of them.

I'm Lachi, I'm a recording artist and disability culture advocate, and I'm here to introduce you to disabled renegades.

♪♪ I face each day as a renegade ♪ [Cars honk] [Lachi]: Philadelphia, otherwise known as the City of Brotherly Love and Sisterly Affection, is where we'll be discussing Celestine Tate Harrington, an early champion of disabled parents.

- I was born in a Philadelphia hospital on October 15th, 1955, with my left arm and both legs folded backward in a reverse lotus position.

- First she led with love, unapologetic.

- She was very clever, and it seemed like in everything she did.

- You would leave a conversation with her feeling like you could conquer the freaking world.

[Lachi]: A true rebel, she redefined what people thought was possible for a quadriplegic.

- Celestine's diagnosis was arthrogryposis congenita, and what that means is that her bones in her arms and legs never developed appropriately.

In some cases they grow in an abnormal manner, and so they end up curving the limbs or making the limbs unusable as a result of that.

[Celestine]: By the age of three, my awareness of being handicapped increased steadily.

This was probably due to my sister, Aggie.

I remember Aggie playing, running, skipping, and jumping.

I remember wondering, why can't I do the same?

[Lachi]: In 1972, at age 16, Tate Harrington was admitted to the children's unit of the Moss Rehabilitation Hospital.

Until now, lack of accessibility at educational institutions prevented her from attending school.

Moss Rehab helped remove these barriers, and thanks to physical and occupational therapy, Tate Harrington became mobile with minimal assistance.

- The device that she was sitting in, some people might say it's a modified wheelchair.

I've heard other people say it was a tub.

What I actually remember calling it was a chariot.

Tina exploded on the world.

[Vocalizing] Once she had the interface capability to those instruments, her talent really showed through.

[Vocalizing] - I cannot wait to go down memory lane with you.

- Oh, and I can't wait to take you on this journey.

- It's so funny, I feel like I already know you from all the research I've done.

- Mmhmm.

- And I got like this kind of cousin vibe!

You know?

[Laughing] - First of all, I'm everybody's cousin.

That's just how it is.

I'm either everybody's cousin or everybody's auntie, but that's what it is.

- I love it.

Alright, well, where are we off to first?

- So we are going to my childhood home.

This place to me represents family.

My mother was a hugely family-oriented woman.

And it was because of that motto, "I am my brother's keeper."

This was my village.

[Lachi]: Yeah.

- Like these, these are my people.

[Crowd chatter] - And a family that prays together, definitely stays together.

[Crowd]: Amen.

[Applause] [Speaking indiscernible] [Nia]: We are in Center City, Philadelphia, the corner of 13th and Market.

[Lachi]: Okay.

- Right behind us is City Hall.

- Okay.

- And this corner is so monumental because this is where my mom first started.

People would come up and talk to her and she would just, like, give advice to just strangers.

They were watching her go through all of the things that she was going through, and they just wanted to learn more about it because everybody's going through something.

- Yeah, through something, exactly.

Tate Harrington became pregnant and gave birth to her daughter Nia in 1975.

Nia was an infant when the Philadelphia Department of Public Welfare removed her from the family home, claiming Tate Harrington was physically incapable of caring for a child.

- In order for your child to be removed, somebody made a secret phone call and then that happened.

They didn't do an investigation.

The only cause was that her arms and legs was folded, because the house was always clean and the family was close-knit.

- It was just a devastating event.

It was three generations coming up in that house at the same time.

And their motto was never to lose a child to the system.

[Sirens wail] You have to find a way to get this baby back.

Nia's gone and it was just an uproar to the whole block.

Yeah, it was tough.

[Low instrumental beat] - You give birth to this baby and somebody comes and tells you that you're not worthy or you're not capable.

They take this baby from you.

And she had to figure it out.

And she called all of the news, media, and radios.

She said, "Oh, y'all want media?

I'm going to use you guys to get my baby back."

[Celestine]: Now I have to go to court because they don't believe I can take care of my baby.

The Department of Public Welfare declared me unfit to be a mother because of my disability.

But they failed to realize my mental capacity.

When you are born without the use of your limbs and you have the will to overcome, you learn to improvise.

[Lachi]: Papers wrote that she may have won her own case when she used her mouth and tongue to change her daughter's clothes in a dramatic demonstration atop a conference table.

Everyone stood up in excitement as she undressed and dressed the baby, and that she lifted the child and turned baby Nia over with gentleness and care.

She said it was just instinct.

- She really showcased how she could perform the physical tasks of being a parent.

Being able to change a diaper or feed her kid.

She managed to prove that she was able to do it.

[Nia]: One of my earliest memories is just like of the comfort of her mouth on me.

[Lachi]: The judge overruled the welfare department, and Tate Harrington got to go home with her daughter.

When asked if she was nervous, she said, "I was cool as a cucumber.

I feel beautiful."

[Robyn M. Powell]: A recent study did find that about 19% of children in the U.S. foster care system have a parent with a disability.

42 states and the District of Columbia include parental disability as grounds for termination of parental rights.

But research shows that having a disability does not have any sort of per se correlation to parenting ability.

That is just because one has a disability does not mean that they will abuse or neglect their children.

[Lachi]: Tate Harrington went on to have a second child, Coronda, born in 1979.

[Celestine]: Nia is my right arm.

And now, I have a left arm.

- Her most important thing was to live life, and live it unapologetically.

And no matter what we had to face, that was one of her mottos, for us to live life.

She put a smile on our faces.

There was joy in her atmosphere.

- Now that you're married, Nia, Western Union stops there.

[Laughter] [Calm instrumentals] [Lachi]: In 1983, she moved to Atlantic City, New Jersey, where she became a staple for her boardwalk performances as a street entertainer.

Tate Harrington would perform songs like "Stormy Weather," "Amazing Grace," and "Somewhere Over the Rainbow," all while using her portable electric organ.

[Gentle organ melody] - This is where she went to work every day.

After some time, they wanted her off the boardwalk.

They felt that she was violating some type of panhandling rule.

Police would harass us, I can remember as a little girl, them physically removing us from the boardwalk.

[Lachi]: In 1986, Tate Harrington was convicted of eight counts of violating the boardwalk's anti-begging ordinance.

[Celestine]: The Atlantic City officials kept charging me and saying I was breaking the anti-begging ordinance.

I didn't beg anyone, I was trying to earn an honest day's living.

[Lachi]: Soon after, she was exempted from the law and earned about $1,000 a day playing the organ.

[Crowd cheering] - Where is she?

There she is!

Alright, Celestine!

[Lachi]: Tate Harrington learned early that all publicity is good publicity.

- Now, Celestine, this is the first time we've ever met, right?

- Yes, it is.

I didn't know you looked so weird!

- You know, the Howard Stern interview, what she was doing was setting her own stage.

- Celestine's an amazing woman.

She hangs out on the boardwalk in Atlantic City and she plays the piano with her tongue.

- She wanted to get her story to multiple people because she knew.

She knew that people needed to hear her voice.

- And Celestine, now you've written this book.

Now, how did you write the book?

You didn't literally type it with your tongue, did you?

- Yes, I did.

- Now get out of here, you're kidding me.

- Typesetting, everything.

- But you have no arms or legs.

- I have them.

I just can't use them.

I brought you a book and I'm going to sign it for you!

- Boy, you know how to work a room.

[Lachi]: Tate Harrington continued to play her music on the boardwalk until tragedy struck.

- My sister called me in Atlantic City and she said, "Nia, Mom's been in an accident."

I just remember us getting there and she was fighting so hard.

To the end, to the end.

And she just, she left with me right there.

I feel like part of me went with her.

I know it did.

[Solemn piano instrumentals] [Nia]: I am the representation of a war that was won.

The court system, they never thought that I would be a success because of her.

But it's because of her that I am.

"Here I lay again, Watching people walk up and down the street, Some look happy and some look sad, Some look worried, and some look mad.

They all look at me, I wonder what do they see?

Do they see me happy, Or do they see me sad?

Or do they see me handicapped, Locked up in my own shell?

I'd like to tell you some things about me, What kind of bird, What kind of tree, What kind of world I'd like to see.

I love God, He sees me.

He tells me how he sees me, So people, people everywhere, Tell me, if you really care."

- The beauty of, just, me learning of Celestine's story, I personally find Celestine to also actually be one of my ancestors.

In disability, in music.

And so standing here with, like, direct descendants, with direct family, I just feel like this is my family.

I feel like y'all taking care of her was y'all taking care of me.

[Tender instrumentals] ♪♪ I live my life ♪ ♪♪ My rules, my way ♪ ♪♪ I have no fears ♪ ♪♪ I face each day as a renegade ♪ [Clap]

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